The dramaturgical infrastructure of counter-summitry–ethnographic insights from the Glasgow climate conference

The annual UN climate conferences synchronize major social worlds, including politics, media, business, science, and law. They therefore attract anyone interested in high-profile performances such as protest action. With the post-Paris turn in global environmental governance, scholarly interest in theatrical aspects of climate governance is increasing. Activism at climate conferences, however, has not yet been studied through a dramaturgical lens. We propose the concept of ‘dramaturgical infrastructure’ to complement Goffman’s focus on self-presentation with the material and immaterial context beyond the micro-level of situated interactional practices. Based on fieldwork at the 2021 climate conference in Glasgow, we describe how activists draw on and mobilize a dramaturgical infrastructure of scripts, spaces, rituals, and requisites for their performances, and how this results in role-taking on the Glasgow stage. We identify the roles of the watchdog, the participant, the disrupter, and the connector, each with distinctive patterns of compliance with or distancing from post-Paris climate governance and the news media. The dramaturgical perspective suggests that climate conferences provide encounters that educate activists to be aware of the component of self-presentation in their activism and to design performances for high public, policy, and media attention.